Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Joseph Mallord William Turner 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
52521		)Peace - Burial at Sea	1842 Oil on canvas, 87 x 86,5 cm
24461		A coast scene with fisherman hauling a boat ashore (mk31)	1803-1804 Oil on canvas 91.4x122cm The Iveagh Bequest,Kenwood.London
24464		A country blacksmith disputing upon the price of iron,and the price charged to the butcher for shoeing his pony (mk310	Oil on fir-plank 55x78cm
55101		A little suprise	mk239 1913 Oil on canvas 109.8x119.7cm
55157		A spot	mk239 1925 oil on canvas 75x55cm
55094		Abstract	mk239 1913 Oil on canvas
55098		Abstract	mk239 1914 Oil on canvas
55196		Accompany	mk239 1937 Oil on canvas 114x146cm
54870		Across the river	mk238 1815 Oil on canvas 193x165cm
55025		Africa	mk239 107x95.5cm
70120		Ancient Italy	Description Turner Ovid Banished from Rome.jpg Ancient Italy - Ovid Banished from Rome
54965		Angel	mk238 1746 Oil on canvas 78.5x78.5cm
3240		Angel Standing in a Storm	1846 Tate Gallery, London
55050		Angel-s judge	mk239 1911 Oil on canvas 85x74cm
55056		Anniversary of Saint	mk239 1911 Oil on canvas 50x64.5cm
55057		Anniversary of Saint	mk239 1911 34.5x40.5cm
88174		Ansicht von Orvieto	1828-1829 Medium Oil on canvas Dimensions 91,5 x 123 cm cjr
31832		Antwerp van goyen looking our for a subject	mk76 Painted in 1833 Oil on canvas 36 1/8x48 3/8in
3236		Approach to Venice	1843 24 1/2" x 37" National Gallery of Art, Washington DC
55168		Arc-s spot	mk239 1927 Oil on canvas 66x49cm
55220		Arrow	mk239 1943 Oil on canvas 42x57cm
55033		Artist 198	mk239 1914 oil on canvas 16.5x92.1cm
55162		Ase	mk239 1926 Oil on canvas 45x53cm
55217		Assemble	mk239 1940 Oil painting 81x116cm
54868		Augur	mk238 1814-1815 Oil on canvas 72x97cm
55046		Autumn-s tree	mk239 1910 Oil on canvas 32.8x44.1cm
21773		Avalanche in the Grisons (mk10)	1810 Oil on canvas 90 x 120 cm London,Tate Gallery
54927		Azrael	mk238 1825-1830 Oil on canvas 59.7x75.6cm
55209		Balance	mk239 1942 89x116cm
54864		Bay	mk238 1813 Oil on canvas 24.5x30.5cm
54954		Bay scene	mk238 1840-1845 30.5x47.5cm
54889		Beside the Nusikao	mk238 1827 Oil on canvas 43.7x61.3cm
55104		Bird	mk239 1916 Watercolour 34.2x34.2cm
55079		Black arc	mk239 Oil on canvas 1912 188x196cm
55133		Black block	mk239 1923 Oil on canvas 97.5x93cm
55140		Black Circle	mk239 1923 130x130cm Oil on canvas
55120		Black line	mk239 1913 130x131.5cm
55193		Black spot	mk239 1935 116x89cm
55176		Blue vapor	mk239 1928 30x18cm
54926		Boat	mk238 1831 Oil on canvas 91.4x122cm
54938		Boat	mk238 1830-1835 Oil on canvas 92.1x122.6cm
54843		Boat and war	mk238 1804 Oil on canvas 101.5x130.5cmn
54877		Boat in the breezee	mk238 1806-1807 Watercolour 18.4x26.2cm
24466		Bolton Abbey,Yorkshire (mk31)	1809 Watercolour 27.8x39.5cm
54905		Bolu	mk238 1826 Watercolour 28x40cm
84268		Boston in Lincolnshire	Date c.1833 Medium Oil on canvas Dimensions 28.8 x 42.3 cm (11.3 x 16.7 in) cjr
88154		Boston in Lincolnshire	1833 Medium Oil on canvas Dimensions 28.8 x 42.3 cm (11.3 x 16.7 in) cyf
54840		Bridge	mk238 1803-1804 Oil on canvas 76.8x62.8cm
54859		Bridge	mk238 1810 Oil on canvas 91.5x122cm
54863		Bridge	mk238 1817 Watercolour 19.9x31.1cm
54874		Bridge	mk238 1806-1807 Watercolour 18.1x25.8cm
54958		Bridge	mk238 1840-1845 Oil on canvas 86.3x117.5cm
24484		Bridge of Sighs,Ducal Palace and Custom-house (mk31)	Venice,Canaletto painting 1833 Oil on mahogany 51x82.5cm
55146		Bright	mk239 1924 Watercolour
55142		Brown	mk239 1924 Watercolour 48.5x33.3cm
55147		Brown	mk239 1924 Oil on canvas 83.1x72.7cm
30694		Burning of the Houses	mk68 Oil on canvas Philadelphia,Philadelphia Museum of Art 1835 Britain
54981		Bury	mk238 1841 Watercolour
78812		Buttermere Lake	Buttermere Lake, with Park of Cromackwater, Cumberland, a Shower (painting - oil on canvas) Date circa 1797-1798 cjr
81891		Buttermere Lake	circa 1797-1798 cyf
3209		Buttermere Lake : A Shower	1798 Tate Gallery, London
91561		Buttermere-See mit Teilansicht von Cromackwater	1798(1798) Medium oil on canvas Dimensions 91,5 x 122 cm cyf
24478		Caernarvon Castle,Wales (mk31)	1833-1834 Watercolour 29x44cm
61220		Calais Pier	J.M.W. Turner, Calais Pier
24460		Calais Pier,with French poissards preparing for sea:an English packet arriving (detail) (mk31)	1803 Oil on canvas 172x240cm
24482		Calais sands,low water (mk31)	1830 Oil on canvas 73x107cm
54950		Calmness	mk238 1842 Oil on canvas 87x86.7cm
54974		Canal	mk238 1840 Watercolour 22.1x31.8cm
54979		Canal	mk238 1840 Watercolour 22.1x32.4cm
87210		Canal Grande in Venedig	Date 1835(1835) Medium Oil on canvas Dimensions 90 x 120,3 cm cjr
91974		Canal Grande in Venedig	1835(1835) Medium oil on canvas Dimensions 90 X 120,3 cm cyf
54829		Castle	mk238 1798 Oil on canvas 47x69cm
54832		Castle	mk238 1799 Watercolour 55x77cm
54833		Castle	mk238 1799 watercolour 55.5x76.2cm
54839		Castle	mk238 1803 Oil o ncanvas 103.5x139.7cm
54909		Castle	mk238 1825-1830 Watercolour
54912		Castle	mk238 1829 Watercolour 29.8x42.6cm
87196		Castle von Kilgarran am Twyvey	Date 1799(1799) Medium Oil on canvas Dimensions 92 x 122 cm cjr
91964		Castle von Kilgarran am Twyvey	1799(1799) Medium oil on canvas Dimensions 92 X 122 cm cyf
54929		Cay	mk238 1832 Watercolour 13.9x19.1cm
55207		Centre	mk239 1939 49x31cm
55148		Centre line	mk239 1924 Watercolour 34.6x22.9cm
55020		Centre market	mk239 1908 Oil on canvas 33x41cm
55179		Change green	mk239 1928 49.8x24.7cm
54819		Channel	mk238 1795 Watercolor 30.7x48.3cm
24476		Chichester Canal (mk31)	1828 Oil on canvas 121x90.5cm
61219		Chichester Canal vivid colours may have been influenced by the eruption of Mount Tambora in 1815.	Chichester Canal's vivid colours may have been influenced by the eruption of Mount Tambora in 1815.
54978		Church	mk238 1842 Oil on canvas 61.6x92.7cm
55018		Church	mk239 1908 Oil on canvas 71x96cm
55158		Circle	mk239 1925 Oil on canvas 61.5x41.5cm
55161		Circle	mk239 1926 140x140cm
55206		Circle	mk239 1939 92x72cm
55182		Climb	mk239 1931 Watercolour 48.1x61cm
55181		Close	mk239 1930 Oil on canvas 49.2x36.8cm
55089		cloudburst	mk239 1913 Oil on canvas 111x111cm
54925		Cockpit	mk238 1831 Oil on canvas 91.4x122cm
24481		Cologne,the arrival lf a pachet boat;evening (mk31)	1826 Oil and maybe watercolour on canvas 168.6x224.1cm
31834		Cologne:The arrival of a packet-boat:evening	mk76 Painted in 1826 Oil and possibly watercolor on canvas 66 3/8x88 1/4in
54890		Concert	mk238 1835 Oil on canvas 121x90.6cm
24486		Constance (mk31)	Watercolour 30.4x45.4cm

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

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